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How to organize the attack, when the reception is not good?
? ? In a previous video in the channel it was explained how to organize the attack after a good or perfect reception. Now it's time to have a look at another essential topic - how to organize the attack, when the reception is not good and especially when it's at the third meter. ? Enjoy the video!
How to organize the attack after a good or perfect reception: https://www.youtube.com/watch?v=bQSRFh3dYhk.
The full seminar of Silvano Prandi (in Italian and Bulgarian), organized by the Bulgarian volleyball federation, can be found here: https://www.youtube.com/watch?v=hcyYg6H4KQ8.
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It's a very much different situation if the reception is !, which is on 6th, 7th metre, so out-of-system ball. There's not so much tactics involved, it depends more on the attacker, what he will do with the high ball - whether he will try to finish the ball (finding the block out, touch / tipping or rolling the ball over the block / trying to find the hole in the block) or he will try to recycle the ball and get a new option in system for his team.
I thought that's what this video was about - because of the title “when the reception is not good”. Nice video though, @VolleyballExplained :)
@jais I was thinking some time how to name it - znak reception, at the third meter is too technical for a name. I decided to be “not good”, because in terms of stats it's still not good like the + or perfect (#) reception. But you are totally right, the today's class of players znak reception became acceptable. Maybe for totally negative my video Art of the Second Attack with Javier Webber will be useful.
I think that reception on the 3rd metre line is still acceptable. As Prandi said, it depends on how much you train situations like this. And top level setters and teams (who train a lot of situations like this) don't have a problem with that type of reception. As seen in the video the setter has got all the possibilities - 1st tempo, pipe, zones 4 and 2, and top level teams play very fast in such situations (De Cecco, Christenson, Bruno etc.).